The Oscar Race is On & Hollywood’s Media Machines Rev Up

Martin Scorsese’s “Hugo,” came away with eleven Academy Award nominations, and “The Artist,” which won the Golden Globes received ten.  The two films, which are both about the bygone days of film making, head the list of best picture Oscar contenders announced Tuesday.  Ironically there is a belief in Hollywood that films about films, particularly films about film making are doomed to die at the box-office.  If true, at least this year they’d do so in style.

It’s interesting to sense the difference between the Golden Globes and the Oscars.  As one well known film critic recently put it, the Golden Globes are so much fun, because they really don’t matter.  The sense is that people go to the Globes to see and be seen, party, have fun, say things you’d never say at the Academy Awards and possibly help create a bit of a media buzz for your film.   The Golden Globes is a PR vehicle.  A feel good party where the winners hope to influence the Oscar voters.

The Academy Awards remain the main event.  This will always remain the award the public views as the golden ring in the film business and it’s hard to tell the influence that the other awards have on the Oscars.

The best picture category is an interesting one with heavy hitter Steven Spielberg’s “War Horse,” going against, among others, Woody Allen’s “Midnight in Paris.”  Allen’s film hit a chord this year, and could result in an (all is truly forgiven) embrace from the Academy.  Perhaps the most interesting inclusion is Terrence Malick’s (either love it or hate it) “The Tree of Life;” but it’s good to know mystics can climb the Hollywood heights.

Superstars Brad Pitt and George Clooney go head to head in the best actor category with Pitts’s “Moneyball” and Clooney’s “The Descendants” garnering a number of awards.  Those two are where the glitz and glamour is, but that’s not always where the awards go.

The best actress category includes Meryl Streep’s performance as former British Prime Minister Margaret Thatcher in “The Iron Lady” and Michelle Williams’ role as movie legend Marilyn Monroe in “My Week With Marilyn.”  It’s always a gamble bringing an icon to the screen, but in both cases the gamble paid off.

Now that the nominees have been named, the Hollywood movie machine media relations blitz goes into high gear.  From here to the awards date the publicity and media campaigns run 24/7.  Public relations, and some subtle and often not so subtle arm twisting are the staples of race to the Oscar.  As long as Harvey Weinstein is involved in the race, it will be interesting.

Copyright © Anthony Mora 2012

Seib, Al. “Plaster Oscar statuettes used for rehearsals.” Photo. The Envelope. Jan. 2012. 27, Jan. 2012.                                                  <http://theenvelope.latimes.com/news/la-env-oscars-winners-nominees-scorecard-2012,0,2535525.htmlstory>

Politics and the Death of the English Language. How Moderate Turned Bad:

One definition of moderate in Webster’s Dictionary is:   “kept within due bounds; observing reasonable limits; not excessive, extreme, violent, or rigorous; limited; restrained”.  From this definition, moderate would seem to be a positive attribute.  Some synononyms are: reasonable, sensible, and judicious.  Sounds like a good thing, eh?  Well, think again, the language is shifting.  From the attacks that rival Republicans are mounting on Mitt Romney, moderate is now a dirty word.  A few years ago, a politician would have been praised for being moderate, now he or she is being accused of it.   Who knows?  Maybe this is just the start of the dismantling of the English language.  Next election one of the slings and arrows that may well be volleyed by rivals will be that they have the audacity to be reasonable.  Another word bites the dust.   

Copyright © Anthony Mora 2012


The Reason Why: Facts Tell, Stories Sell

People love stories.  Stories are how we communicate.  Storytellers are revered in many cultures, and in the western world the writers and directors of films and TV are generally quite well paid both financially and status-wise.  Stories are our currency of communication, yet when it comes to marketing, most businesses forget about the story and focus on the facts.  By doing that they lose the impact that a compelling story brings.

PR and media relations is all about effective storytelling.  For example, when launching a public relations campaign for a physician, I realize that what’s going to benefit him or her the most is not to primarily focus on their credentials and medical savvy, but to emphasize impactful and compelling patient stories   A tale of how a patient went from pain and suffering to living a healthy fulfilling life is one that we can connect with.  It’s much more compelling to tell a vivid and compelling patient’s story, than to explain exactly how a particular procedure or medication technically worked.

People identify with the patient, not the physician; they commiserate and root for him or her.  They’re emotionally involved in the story from beginning to end, particularly if the story somehow personally affects them or someone they know.  If the time comes when they need to seek out the services of a physician who works in that field, guess who they’ll most likely turn to?  You got it; they’re going to want the doctor who helped turn that patient’s life around in the story they heard.

Facts and figures are great.  They give us information and they help give credibility.  But facts and figures alone will seldom result in a sale.  A laundry list of facts offers very little call to action.  And even if a fact list does inherently have a call to action, chances are there is no emotional resonance to it.  The information may be factual, but, unlike a story it is not always emotionally believable.   Stories are evocative; they bypass thought and go directly to feeling.  They shoot past the cynical adult and go right towards the child in each of us.

It’s the story that awakens interest.  For example, when we launch a PR campaign for beauty products spas or beauty salons, our focus is not on the ingredients that the products contain, or precisely how a procedure is performed, or the exact technique that a particular stylist uses; our emphasis is on how the client looks, feels and changes when using that product, going to that spa, or visiting that hairstylist.   Our focus is on how the client’s life is transformed.

The personal journey in the story told might be major or less dramatic, but it is the transformation that will affect the reader or viewer, or listener.  Just as in real estate the saying goes that it’s location, location, location, in promotion, marketing and PR, it’s the story, the story, the story.

Copyright © Anthony Mora 2012

Follow

Get every new post delivered to your Inbox.

Join 48 other followers